Experimenting again with saturated/oniric colors here. It’s a type of coloring I like a lot for outdoor scenes, both for the aesthetics and because I think it would be impossible to capture with a realistic approach the feelings that certain environments give me. I noticed I tend to stick to muted colors for indoor scenes or for more intimate portraits, but for the great outdoors I feel colors should be striking and should make the viewer feel the weather on their fur.
Oil painting on hardboard, 30x40 cm.