Viewing last 25 versions of post by background furry #19375 in topic Suggestions and bullshitting thread, venting, etc. [NSFW]

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muh sister keeps pulling me away during my free time to watch critic videos on why some animated films are pretty good.

Will politely refuse next time since it was rood, but maybe I can glean some literary stuff from this. ^~[==>->==]~^


On the flipside, I think I can appreciate whymore films like the first Incredibles ([spoiler]grappling with mid-life crises[/spoiler]), "Shrek 2":https://www.youtube.com/watch?v=9Nk7y6c1Tow ([spoiler]"perfect sequel" about self-worth surmounting judgment passed judgfromen others[/spoiler]), "Ratatouille":https://www.youtube.com/watch?v=DkdokuYtsZ8 ([spoiler]achieving one's aspirations despite the world seemingly against it[/spoiler]), Finding Nemo ([spoiler]something-something wholesome family values[/spoiler]) and Toy Story 2 ([spoiler]something-something existential crisis[/spoiler]). It's like they were and still are miles ahead of alot of their contemporaries. ~^maybe I can glean some literary tips from this stuff. [==>->==]^~

They're all, like, plots that can resonate with an adult audience (not just being trendy references and innuendoes to keep them awake in the theatre), but "winded down" enough that they're suitable for younger audiences as well.

There's also that weird stigma about animation (& by extension, comics & cartoons) being belittled as merely a genre, or put off as something for kids, which I guess are things someone would consider if they saw the medium in a passing glance, or think they're supplanting the cartoons they watched when they were younger with big-boy serious films about serious adults being serious in serious situations.

muh sister keeps pulling me away during my free time to watch critic videos on why some animated films are pretty good.

Will politely refuse next time since it was rood, but maybe I can glean some literary stuff from this. ^~[==>->==]~^


On the flipside, I think I can appreciate why films like the first Incredibles ([spoiler]grappling with mid-life crises[/spoiler]), "Shrek 2":https://www.youtube.com/watch?v=9Nk7y6c1Tow ([spoiler]perfect sequel about self-worth surmounting passed judgment[/spoiler]), "Ratatouille":https://www.youtube.com/watch?v=DkdokuYtsZ8 ([spoiler]achieving one's aspirations despite the world seemingly against it[/spoiler]), Finding Nemo ([spoiler]something-something wholesome family values[/spoiler]) and Toy Story 2 ([spoiler]something-something existential crisis[/spoiler]) were and still are miles ahead of alot of their contemporaries. ~^maybe I can glean some literary tips from this stuff. [==>->==]^~

They're all, like, plots that can resonate with an adult audience (not just being trendy references and innuendoes to keep them awake in the theatre), but "winded down" enough that they're suitable for younger audiences as well.

There's also that weird stigma about animation (& by extension, comics & cartoons) being belittled as merely a genre, or put off as something for kids, which I guess are things someone would consider if they saw the medium in a passing glance, or think they're supplanting the cartoons they watched when they were younger with big-boy serious films about serious adults being serious in serious situations.

muh sister keeps pulling me away during my free time to watch critic videos on why some animated films are pretty good.

On the flipside, I think I can appreciate why films like the first Incredibles ([spoiler]grappling with mid-life crises[/spoiler]), "Shrek 2":https://www.youtube.com/watch?v=9Nk7y6c1Tow ([spoiler]perfect sequel about self-worth surmounting passed judgment[/spoiler]), "Ratatouille":https://www.youtube.com/watch?v=DkdokuYtsZ8 ([spoiler]achieving one's aspirations despite the world seemingly against it[/spoiler]), Finding Nemo ([spoiler]something-something wholesome family values[/spoiler]) and Toy Story 2 ([spoiler]something-something living inanimate object's existential crisis[/spoiler]) are were and still are miles ahead of alot of their contemporaries. ~^maybe I can glean some literary tips from this stuff. [==>->==]^~

They're all, like, plots that can resonate with an adult audience (not just being trendy references and innuendoes to keep them awake in the theatre), but "winded down" enough that they're suitable for younger audiences as well.

There's also that weird stigma about animation (& by extension, comics & cartoons) being belittled as merely a genre, or put off as something for kids, which I guess are things someone would consider if they saw the medium in a passing glance, or think they're supplanting the cartoons they watched when they were younger with big-boy serious films about serious adults being serious in serious situations.

muh sister keeps pulling me away during my free time to watch critics on why some animated films are pretty good.

On the flipside, I think I can appreciate why films like the first Incredibles ([spoiler]grappling with mid-life crises[/spoiler]), "Shrek 2":https://www.youtube.com/watch?v=9Nk7y6c1Tow ([spoiler]perfect sequel about self-worth surmounting passed judgment[/spoiler]), "Ratatouille":https://www.youtube.com/watch?v=DkdokuYtsZ8 ([spoiler]achieving one's aspirations despite the world seemingly against it[/spoiler]), Finding Nemo ([spoiler]something-something wholesome family values[/spoiler]) and Toy Story 2 ([spoiler]something-something living inanimate object's existential crisis[/spoiler]) are were and still are miles ahead of alot of their contemporaries. They're all, like, plots that can resonate with an adult audience (not just being trendy references and innuendoes to keep them awake in the theatre), but "winded down" enough that they're suitable for younger audiences as well.

There's also that weird stigma about animation (& by extension, comics & cartoons) being pubelittled off as merely a genre, or put off as something for kids, which I guess are things someone would consider if they saw the medium in a passing glance, or think they're supplanting the cartoons they watched when they were younger with big-boy serious films about serious adults being serious in serious situations.

muh sister keeps pulling me away during my free time to watch critics on why some animated films are pretty good.

On the flipside, I think I can appreciate why films like the first Incredibles ([spoiler]grappling with mid-life crises[/spoiler]), "Shrek 2":https://www.youtube.com/watch?v=9Nk7y6c1Tow ([spoiler]perfect sequel about self-worth ovesurmounting ppl'assed judgments[/spoiler]), "Ratatouille":https://www.youtube.com/watch?v=DkdokuYtsZ8 ([spoiler]achieving one's aspirations despite the world seemingly against it[/spoiler]), Finding Nemo ([spoiler]something-something wholesome family values[/spoiler]) and Toy Story 2 ([spoiler]something-something living inanimate object's existential crisis[/spoiler]) are were and still are miles ahead of alot of their contemporaries. They're all, like, plots that can resonate with an adult audience (not just being trendy references and innuendoes to keep them awake in the theatre), but "winded down" enough that they're suitable for younger audiences as well.

There's also that weird stigma about animation (& by extension, comics & cartoons) being put off as a genre, or for kids, which I guess are things someone would consider if they saw the medium in a passing glance, or think they're supplanting the cartoons they watched when they were younger with big-boy serious films about serious adults being serious in serious situations.

muh sister keeps pulling me away during my free time to watch critics on why some animated films are pretty good.

On the flipside, I think I can appreciate why films like the first Incredibles ([spoiler]grappling with mid-life crises[/spoiler]), "Shrek 2":https://www.youtube.com/watch?v=9Nk7y6c1Tow ([spoiler]perfect sequel about self-worth over ppl's judgments[/spoiler]), "Ratatouille":https://www.youtube.com/watch?v=DkdokuYtsZ8 ([spoiler]achieving one's aspirations despite the world seemingly against it[/spoiler]), Finding Nemo ([spoiler]something-something family[/spoiler]) and Toy Story 2 ([spoiler]something-something existential crisis[/spoiler]) are were and still are miles ahead of alot of their contemporaries. They're all, like, plots that can resonate with an adult audience (not just being trendy references and innuendoes to keep them awake in the theatre), but "winded down" enough that they're suitable for younger audiences as well.